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An introduction to the [Social] Documentary style of Street Photography

Social documentary street photography is a genre that captures the essence of everyday life, placing a strong emphasis on social issues and the challenges people face. By blending artistry with journalism, it provides an honest and unfiltered lens through which viewers can engage with the world. Through images that tell compelling stories, this form of photography sheds light on societal inequalities, cultural dynamics, and moments of resilience.

Defining Social Documentary Street Photography

Social documentary street photography focuses on candid, often spontaneous, images that document human life in its rawest form. Unlike other forms of street photography, this genre actively engages with social themes. It seeks to reveal the hidden narratives of urban spaces, from poverty and migration to resilience and solidarity. While aesthetic value plays a role, storytelling and social impact take precedence.

The goal of this photography is not merely to observe but to question, provoke, and empathise. By capturing life as it unfolds, photographers create visual records that connect viewers to societal challenges, making these images powerful tools for awareness and advocacy.

Historical Context

Social documentary street photography traces its roots to the broader tradition of documentary photography. Figures such as Jacob Riis and Lewis Hine used photography to expose harsh living and working conditions during the Industrial Revolution. Their work combined artistry and activism, using images to advocate for reform.

In the 20th century, street photography emerged as a distinct genre, thanks to the advent of portable cameras. Photographers like Dorothea Lange and Walker Evans documented the impact of the Great Depression, creating iconic images that highlighted economic disparity and resilience. These pioneers laid the groundwork for a socially conscious approach to photography.

Later, photographers like Vivian Maier and Garry Winogrand explored the complexities of urban life. Maier’s intimate portraits captured the struggles and dignity of ordinary people, while Winogrand’s dynamic compositions reflected the energy and contradictions of post-war America. Their work exemplifies the capacity of street photography to delve into deeper social issues.

Techniques and Approaches

Social documentary street photography requires a mix of technical skill, artistic vision, and cultural sensitivity. Key techniques include:

1. Capturing Candid Moments

Spontaneity is central to the genre. Photographers often work discreetly to capture unguarded moments, reflecting the authenticity of their subjects.

2. Contextual Storytelling

This genre places individuals within broader environments, creating a narrative that goes beyond the individual to encompass societal realities. For example, a single photograph might juxtapose a homeless individual against the backdrop of luxury storefronts, highlighting economic disparities.

3. Light and Mood

Natural light plays a vital role in shaping the tone of images. Shadows, reflections, and contrasts can convey emotion and emphasise key elements.

4. Engaging with Subjects

Some photographers choose to engage directly with their subjects, creating a sense of collaboration. This approach can lead to more intimate and powerful images, particularly when addressing sensitive topics.

Ethical Considerations

Social documentary street photography often raises ethical questions. Photographers must navigate issues of consent, representation, and the potential for exploitation. Capturing someone’s image without their permission, especially in vulnerable situations, can raise concerns about dignity and privacy.

Ethical considerations also extend to the portrayal of subjects. It is essential to avoid sensationalism or stereotyping, particularly when documenting marginalised communities. Photographers bear a responsibility to represent their subjects with empathy and integrity, ensuring their work fosters understanding rather than perpetuating stigma.

Contemporary Relevance

In an age of social media and digital technology, social documentary street photography has taken on new forms. Mobile devices and online platforms have made it easier for amateur and professional photographers alike to document social issues and share their work widely. This democratisation has enriched the genre, bringing diverse perspectives and voices into the fold.

For instance, photographers have used their cameras to document protests, from the Black Lives Matter movement to climate change demonstrations. These images have become powerful tools for advocacy, raising awareness and mobilising support for social causes.

Case Studies: Iconic Practitioners

Vivian Maier

Vivian Maier’s work remained unknown during her lifetime but has since gained recognition for its depth and sensitivity. Her images capture mid-20th-century urban life, focusing on ordinary people and moments. Maier’s ability to find beauty and significance in the mundane highlights the potential of street photography to tell poignant social stories.

Garry Winogrand

Garry Winogrand’s prolific output documented the energy and contradictions of American society. His dynamic compositions and raw approach to capturing social interactions reveal the complexities of urban life. Winogrand’s work challenges viewers to reflect on societal norms and individual identities.

Contemporary Practitioners

Photographers like Sebastião Salgado and Martha Cooper continue to push the boundaries of the genre. Salgado’s work often focuses on global social issues, from migration to environmental crises, while Cooper’s documentation of graffiti culture provides insight into youth movements and urban creativity.

The Power of Photography for Social Change

Social documentary street photography has the potential to inspire action. Iconic images, such as Dorothea Lange’s “Migrant Mother,” have shaped public discourse and influenced policy. By capturing the human face of social issues, photographers can evoke empathy and drive change.

In recent years, the genre has expanded to address a wider range of issues, from LGBTQ+ rights to climate justice. As society becomes increasingly visual, the ability of photography to communicate complex ideas and emotions remains unparalleled.

Summary

Social documentary street photography combines the immediacy of street photography with the depth of social commentary. By chronicling everyday life and highlighting societal challenges, it provides a powerful medium for storytelling and advocacy. From its historical roots in reform photography to its contemporary iterations, the genre continues to evolve, offering fresh perspectives on the human condition.

Through the work of practitioners like Vivian Maier, Garry Winogrand, and others, we see the enduring relevance of this genre. As photographers explore new technologies and address emerging issues, social documentary street photography will remain a vital tool for understanding and engaging with the world around us.

Bibliography

Aziz, A. and Tobroni, M.I. (2023). Aesthetics Exploration of Chiaroscuro Light: Capturing the Visual Atmosphere of Traditional Markets in Jakarta. Gelar Jurnal Seni Budaya, 21(1), 80–89. https://doi.org/10.33153/glr.v21i1.5057

Carroll, T. W. (2021). Social Protest Photography and Public History: “Whose Streets? Our Streets!”: New York City, 1980–2000. Journal of the History of the Behavioral Sciences, 57(1), 34–59. https://doi.org/10.1002/jhbs.22082

Hadley, J. (2022). Street Photography Ethics. Ethical Theory and Moral Practice, 25(4), 529–540. https://doi.org/10.1007/s10677-022-10316-6

Hunt, M. A. (2014). Urban Photography/Cultural Geography: Spaces, Objects, Events. Geography Compass, 8(3), 151–168. https://doi.org/10.1111/gec3.12120

Luvaas, B. (2022). Shadow Worlding: Chasing Light in Yogyakarta. American Anthropologist, 124(2), 399–416. https://doi.org/10.1111/aman.13725

Shi, D. (2017). The Potential Implications of Contemporary Use of Mobile / Tablet Devices in Street Photography, Especially for the Representation of People in the City. Humanities and Social Sciences, 5(2), 102. https://doi.org/10.11648/j.hss.20170502.19

Tucker, J. (2012). Eye on the Street. Radical History Review, 2012(114), 7–18. https://doi.org/10.1215/01636545-1597979

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MY PHOTO JOURNEY Sophistication (Mastery)

The subgenres of street photography

In many different street photography forums, one or two individuals seem to think that they can judge other people’s street photographs against some kind of undocumented standard that they carry in their own heads. The feedback is, not infrequently, delivered with little consideration for the intention of the original image maker, and has been described by others as ‘brutal’. I felt it might help to consider the wide range of different styles or ‘subgenres’ of street photography as feedback from someone whose preference (if not entire practice) is on one style may not appreciate the work of another whose interest lies elsewhere.

What follows is NOT a random list. I have synthesised ideas drawn from a range of sources rather than a direct reference to any single work. Many of these ideas originate in classic texts on street photography, which explore its various approaches and styles. For instance, Eric Kim’s Street Photography 101 offers insights into diverse methods and ways of working within the genre, while David Gibson’s The Street Photographer’s Manual provides a detailed exploration of specific approaches, such as minimalist and narrative photography. Similarly, Colin Westerbeck and Joel Meyerowitz’s Bystander: A History of Street Photography traces the historical development of the field, highlighting how styles have evolved.

Certain subgenres align closely with the work of iconic photographers. For example, Henri Cartier-Bresson exemplifies classic street photography with his decisive moment technique. Saul Leiter and Alex Webb are renowned for their vibrant use of colour, inspiring what is now often termed colour-focused street photography. Vivian Maier, on the other hand, represents the more documentary style, capturing candid moments of daily life with a focus on narrative and human emotion.

Online platforms and communities also contribute significantly to defining and evolving subgenres. Blogs such as Petapixel and Fstoppers, along with publications like Street Photography Magazine, regularly feature trends such as abstract and minimalist photography. In addition, forums and collectives such as In-Public and LensCulture, as well as Flickr groups dedicated to street photography, provide a space for photographers to experiment and refine their approaches, often leading to the emergence of new subgenres.

Finally, theoretical works like Susan Sontag’s On Photography and John Szarkowski’s The Photographer’s Eye offer broader perspectives on photography as an interpretative medium. These texts help in understanding conceptual and abstract approaches to street photography, which extend beyond capturing fleeting moments to engage with deeper ideas and themes.

Here, then, is my list of fifteen different approaches (‘subgenres’ or ‘styles’, if you prefer) to street photography.

1. Classic Street Photography

Captures candid, everyday moments in public spaces, often in black and white. This subgenre emphasises the “decisive moment” and natural composition.

Exemplars:

  • Henri Cartier-Bresson: Known for his “decisive moment” photography.
  • Robert Frank: The Americans offers an honest look at mid-20th-century America.

Reference:


2. Fine Art Street Photography

Focuses on aesthetic composition and mood, often blurring the lines between candid photography and artistic expression.

Exemplars:

  • Saul Leiter: Known for his painterly use of colour.
  • Alex Webb: Creates complex, layered compositions.

Reference:


3. [Social] Documentary Street Photography

Chronicles daily life with a journalistic approach, aiming to tell stories about people and places.

Exemplars:

  • Vivian Maier: Captures mid-20th-century urban life.
  • Garry Winogrand: Known for his raw documentation of social life in America.

Reference:


4. Street Portraiture

Focuses on individuals in public spaces, often highlighting their emotions, expressions, or stories.

Exemplars:

  • Diane Arbus: Intimate portraits of society’s outsiders.
  • Brandon Stanton: Creator of “Humans of New York.”

Reference:


5. Abstract Street Photography

Uses patterns, shadows, and textures to create abstract, artistic urban compositions.

Exemplars:

  • Trent Parke: Plays with light and shadow.
  • Harry Gruyaert: Focuses on abstraction through colour and form.

Reference:


6. Minimalist Street Photography

Simplifies urban scenes, often isolating subjects or focusing on clean compositions with few elements.

Exemplars:

  • Michael Kenna: Known for his minimalist approach.
  • Fan Ho: Captures sparse and evocative moments in Hong Kong.

Reference:


7. Conceptual Street Photography

Focuses on ideas, often blending candid photography with staged or symbolic elements to provoke thought.

Exemplars:

  • Philip-Lorca diCorcia: Blends staged and candid elements.
  • Jeff Wall: Creates large-scale conceptual urban scenes.

Reference:


8. Colour-Focused Street Photography

Emphasises vibrant and dynamic use of colour as a key element in urban storytelling.

Exemplars:

  • William Eggleston: Pioneered the artistic use of colour.
  • Martin Parr: Critiques modern life with bold, saturated imagery.

Reference:


9. Night Street Photography

Explores urban life after dark, relying on artificial light to create mood and mystery.

Exemplars:

  • Brassaï: Captures the atmosphere of Parisian nights.
  • Trent Parke: Focuses on moody, nocturnal scenes.

Reference:


10. Geometric Street Photography

Plays with architectural lines, symmetry, and patterns to create striking compositions.

Exemplars:

  • Henri Cartier-Bresson: Known for using geometry in his compositions.
  • Fan Ho: Creates geometric imagery with light and architecture.

Reference:


11. Humorous or Surreal Street Photography

Captures irony, absurdity, or humour in everyday urban scenes.

Exemplars:

  • Elliott Erwitt: Known for whimsical and comedic photography.
  • Matt Stuart: Highlights irony in urban life.

Reference:


12. Humanitarian Street Photography

Focuses on social issues and marginalised groups to raise awareness or promote change.

Exemplars:

  • Sebastião Salgado: Highlights human struggle and resilience.
  • Dorothea Lange: Known for her work during the Great Depression.

Reference:

  • Sontag, S. (1977). On Photography.

13. Street Photography with Motion Blur

Uses slow shutter speeds to emphasise movement and dynamism in urban scenes.

Exemplars:

  • Alexey Titarenko: Known for long-exposure urban photography.
  • Ernst Haas: Pioneered the artistic use of motion blur.

Reference:


14. Narrative Street Photography

Builds cohesive stories, often through a series of images that explore themes or tell a broader narrative.

Exemplars:

  • Eugène Atget: Chronicles Parisian streetscapes with depth.
  • William Klein: Fuses energy with storytelling in urban settings.

Reference:


15. Mobile Street Photography

Created exclusively with smartphones, showcasing spontaneity and accessibility.

Exemplars:

  • Eric Kim: Advocates for mobile photography.
  • Misho Baranovic: Focuses on smartphone urban imagery.

Reference: