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MY PHOTO JOURNEY Sophistication (Mastery)

What is the “Urban Photography Movement”?

The urban photography movement is an approach in photography. It captures city life, culture, and landscapes. This movement is a branch of street photography. But it goes beyond people on streets. It includes buildings, spaces, signs, and moods. Urban photography explores cities as living systems. Photographers use it to study change, social issues, and identity.

The roots of this movement go back to early street photographers. Artists like Henri Cartier-Bresson and Robert Frank set the stage. They captured candid moments of daily life. But urban photography grew wider. It also captures the shapes, shadows, and textures of cities. It can show the warmth or coldness of urban spaces. Sometimes it can feel abstract. Other times it shows a city’s soul.

Urban photography often shows contrasts. Wealth and poverty, old and new, life and decay appear side by side. It questions urban change. Photographers like Edward Hopper, although a painter, inspired this style. His work showed loneliness in cities. Similarly, photographers such as Saul Leiter captured quiet moments, colours, and reflections. Their photos highlight what we miss when we rush.

Today, urban photography includes many styles. It can be gritty and raw, showing social issues like homelessness or inequality (Sontag, 1977). It can also be bright, graphic, and clean, showing city design and modern life. Mobile phones and social media made this movement popular. Now, millions of people share images of their urban lives. This movement tells many stories. It makes us think about how cities shape us, and how we shape them.

Urban photography helps us notice the world differently. It teaches us to see beauty in places we might ignore. It also helps us understand complex social issues. By capturing moments, urban photographers help cities speak.

Contemporary examples

Here are some notable photographers who excel in this genre:

Anastasia Samoylova

Based in Miami, Samoylova explores themes of environmentalism and urbanisation. Her series FloodZone portrays Miami’s surreal landscapes, highlighting the city’s vulnerability to climate change. Her work has been exhibited at The Metropolitan Museum of Art and London’s Saatchi Gallery.

vogue.com

Adam Magyar

A Hungarian photographer, Magyar is known for his innovative techniques that blend technology and art. His series Stainless uses high-speed cameras to capture urban life in mesmerising detail, offering a unique perspective on the rhythm of city environments.

en.wikipedia.org

Rana El Nemr

An Egyptian visual artist, El Nemr’s work delves into the layered dynamics of urban spaces in Cairo. Her project Giza Threads examines the interplay between dominant structures and fleeting disruptions, revealing the city’s evolving character.

en.wikipedia.org

Siegfried Hansen

A German street photographer, Hansen focuses on the graphic elements of urban settings. His keen eye for lines, shapes, and patterns transforms everyday scenes into abstract compositions, highlighting the unnoticed aesthetics of cityscapes.

en.wikipedia.org

Marc Vallée

Based in London, Vallée’s photography examines the tension between public and private spaces. His zines document subcultures such as graffiti artists and skateboarders, shedding light on urban youth movements and their interactions with the city environment.

en.wikipedia.org

Jason Langer

An American photographer, Langer is renowned for his noir-style images of urban life. His black-and-white photographs capture the moodiness and mystery of cities, often focusing on solitary figures and nighttime scenes.

en.wikipedia.org

Dolorès Marat

A French photographer, Marat’s work offers dreamlike interpretations of urban scenes. Using deep blacks and vibrant colours through the Fresson process, her images infuse everyday city moments with a sense of intrigue and timelessness.

theguardian.com

References

Sontag, S. (1977). On Photography. Penguin Books.

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PURE BLOG

I need help… Which number to call?

I am saddened that even today, many well intentioned safety messages continue to perpetuate the old colonial idea that 999 is THE number to ring in an emergency.

The history of this number dates back to a house fire in London in 1935 and the solution that was put into place by the main telephone engineering provider, Cable & Wireless. They spun it out through their subsidiaries largely in countries where we remained the colonial power (Bahrain, Kenya, and so on).

The rest of the world did not follow suit. In 1976, a part of the European infrastructure (not directly the EU as some right wingers would like us to believe) proposed a pan-European consistent number. They did so because increasingly people were travelling across borders and there were incidents in which people tried calling the wrong number. The number was chosen very carefully to minimise the risk of inadvertent triggering and mischief calls. In 1992, it did become part of EU policy, though by then it had been enabled on all Europe-based networks. It soon spread across much of the rest of the world.

With GSM phones (mobiles to you and I) this number is embedded in the software so that you can pick up any mobile and dial 112 without having to enter a PIN, smile inanely, or wiggle a digit in the direction of its sensitive parts. Despite the best efforts of the Brexiteers, in 2023, 52% of the British population travelled abroad at least once in the year. This number is constantly rising, and especially among the younger generations. Therefore, continuing to promote life saving and water safety messages with a 999 number instead of 112 is not only an aspect of colonialisation but also potentially life threatening today and into the future. We have to stop even suggesting to young people that 999 is an option and embed in their heads that 112 is THE number to ring.

PLEASE let’s eradicate it from safety and related literature NOW!

There are loads of resources out there to understand this better. www.eena.org to start with.